For the analogue animation we looked at zoetropes.
The animation consisted of 15 frames, so we looked at producing a cycle of movement. The movement had to be clear and simple due to the limit frames and we found that high contrast images were the most effective.
After seeing some examples, I particularly enjoyed the work of Neil Sanders and wanted to create some weird creature with an elaborate walk/flight cycle.
We were asked to bring in some action figures as a visual reference for movement, I dug out some old power rangers and some new-ish transformers. My transformers are monster/dragon-like and boast pretty garish colour schemes, so I thought I'd use these as a basis to my animation.
As I began to re-draw the figures and develop my own monster from the two, I realised that the detailed and complex design wouldn't work well as a zoetrope image. Nor would it's length work well on the 11X12 frame.
After considering producing a free-hand animation, I remembered about my time in complementary studies last year and the rotoscoping sessions I had. What I took away from that is that I'm slow to draw free-hand and what I produce doesn't look great. However the section of animation that I rotoscoped worked really well.
So I sourced a video of a lizard to get a walking cycle from it.
I then roughly sketched over the top
And worked from these sketches to deviate slightly from the original video. I used bold colours for a high contrast and limited myself to block shapes to keep the image simple.
Considering how to use the stage area most effectively, after discussion with one of my peers I decided to duplicate the animation and have two lizards racing each other.
When it came to re-drawing the frames onto a strip of paper, I decided to work in black and white after seeing some examples of other's work and after drawing a couple of frames in pastel and felt tip in colour. I didn't have my ink with me to hand, so thought I would explore how mark-making looked in movement.
When not in movement the image looks pretty sloppy, I've used a white pen to block over some areas where I've been a bit too expressive with my mark making. And the simple nature of the image just looks unfinished. However, I needed to get the contrast to make the image work in motion and had quite a quick turnaround to meet.
Whilst using the light box, I noticed how pleasant the blue-green looked underneath the paper texture and tried implementing that aesthetic into my GIF, though it's presence is barely noticeable due to the low resolution at which the GIF is exported.
If I were to develop this image further, I would look at producing a more detailed image, as the digital method of animation has less limitations than that for the zoetrope. This would include shadows and backgrounds.